English rococo portraitist John Wollaston arrived in New York in 1749, where he worked for 2 years. Wollaston left England just as Neoclassicism, as a reaction against baroque and rococo styles, was spreading throughout England and Europe.
He painted briefly in Philadelphia in 1752; and, by the winter of 1753, Wollaston moved south to Annapolis, Maryland and then to Virginia.
Wollaston's rococo portraits were a hit in Maryland's capital. The March 15, 1753, Maryland Gazette carried the following poem honoring Wollaston.
"On Seeing Mr. Wollaston’s Pictures, in Annapolis," by a Dr. T. T.
Behold the wond’rous Power of Art!
That mocks devouring Time and Death,
Can Nature’s ev’ry Charm impart;
And make the lifeless Canvas breathe.
In the Chesapeake, he painted the families of many plantation-owning gentry. He returned to the city-life of Philadelphia in 1758; and in the fall of 1765, he appeared in the bustling, high-style port city of Charleston, South Carolina.
On January 19, 1767, Wollaston, announced his plans to leave Charleston to return to England, in the South Carolina Gazette:
The Subscriber intending for England in a few weeks, takes this public method of returning thanks, to all gentlemen and ladies who have been so good to employ him: Those who may have any demands upon him, are desired to bring in their accounts; and of those who are indebted to him he requests the favour they will discharge the same.
This is one of his last Charleston portraits with a mix of formal rococo and a hint of exotic turquerie. An earlier portrait painted by Wollaston in 1754, of Marylander Elizabeth Calvert (Mrs. Benedict Calvert) at the Baltimore Museum of Art also displays ermine trim.
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For Wollaston's portraits of mature colonial American women see this posting.
For Wollaston's portraits of young colonial women see this posting.
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